{"id":179,"date":"2024-09-27T15:15:44","date_gmt":"2024-09-27T13:15:44","guid":{"rendered":"https:\/\/miammiamlacie.com\/?page_id=179"},"modified":"2026-02-16T13:26:33","modified_gmt":"2026-02-16T12:26:33","slug":"on-ne-jouait-pas-a-la-petanque-dans-le-ghetto-de-varsovie","status":"publish","type":"page","link":"https:\/\/miammiamlacie.com\/index.php\/on-ne-jouait-pas-a-la-petanque-dans-le-ghetto-de-varsovie\/","title":{"rendered":"On ne jouait pas \u00e0 la p\u00e9tanque dans le ghetto de Varsovie"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-small-font-size\">Texte et interpr\u00e9tation\u00a0<strong>Eric Feldman<\/strong><br>Mise en sc\u00e8ne et collaboration \u00e0 la dramaturgie\u00a0<br><strong>Olivier Veillon<\/strong><br>Soutien amical \u00e0 la dramaturgie et \u00e0 la mise en sc\u00e8ne\u00a0<strong>Jo\u00ebl Pommerat<\/strong><br>Cr\u00e9ation lumi\u00e8re et espace sc\u00e9nique <strong>Sallahdyn Khatir<\/strong><br>cr\u00e9ation sonore\u00a0<strong>Louise Prieur<\/strong><br>r\u00e9gie g\u00e9n\u00e9rale <strong>Louise Prieur, Marie Mousslouhoudninne<\/strong> ou<strong> Emile Wacquiez<\/strong><br>Production et diffusion\u00a0<strong>Le BEC \u2013 Bureau des \u00e9critures<br>contemporaines (Claire Nollez et Romain Courault )<\/strong><br>Administration\u00a0<strong>Antoine Lenoble<\/strong><br>Relation presse\u00a0<strong>Olivier Saksik \u2013 Elektronlibre<\/strong><br>Accompagnatrice\u00a0<strong>Anne de Am\u00e9zaga<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><br><br>Production&nbsp;<strong>Miam Miam<\/strong><br>Coproduction&nbsp;<strong>Th\u00e9\u00e2tre National de Strasbourg et Th\u00e9\u00e2tre du Rond-Point<\/strong><br>Avec le soutien de&nbsp;<strong>La Fondation pour la M\u00e9moire de la Shoah et du Fonds SACD Th\u00e9\u00e2tre<\/strong>,&nbsp;<strong>de la R\u00e9gion Bourgogne \u2013 Franche Comt\u00e9<\/strong><br>Et l\u2019accueil en r\u00e9sidence de&nbsp;<strong>Th\u00e9\u00e2tre Ouvert \u2013 Centre National des Dramaturgies Contemporaines ; du Centquatre \u2013 Paris ; du Th\u00e9\u00e2tre du Petit Saint Martin ; du Ch\u00e2teau de Monthelon Atelier de fabrique artistique ; de la Maison Jacques Copeau ; de la Ville de Dijon<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-left has-medium-font-size\"><em>Et si Freud avait \u00e9t\u00e9 le psy d\u2019Hitler ? Le mal absolu aurait-il pu \u00eatre \u00e9vit\u00e9 ? Dans ce \u00ab stand-up d\u2019art et d\u2019essai, conf\u00e9rence et confidence, mi-idiot, mi-intello \u00bb, \u00c9ric Feldman explore avec humour et gravit\u00e9 les  traumatismes des \u00ab enfants cach\u00e9s \u00bb survivants de la Shoah :<br>ses propres parents, oncles et tantes. Sur le fil d\u2019un myst\u00e8re qu\u2019on se prend \u00e0 vouloir r\u00e9soudre, le texte nous plonge dans un tourbillon de pens\u00e9es, d\u2019\u00e9motions, de rires et de souvenirs aux accents yiddish. On y croise notamment tonton Lucien et tata Sarah, le grand \u00e9crivain Isaac Bashevis Singer, Milosh le chat  d\u2019\u00c9ric, et on pense aux grandes  figures des comedians juifs newyorkais. Une autofiction pour d\u00e9passer son histoire personnelle, toucher  le c\u0153ur des gens et  c\u00e9l\u00e9brer la joie  d\u2019\u00eatre vivant.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\">Texte de pr\u00e9sentation de la brochure 24\/25 du Th\u00e9\u00e2tre National de Strasbourg<\/p>\n\n\n\n<p>\u00ab\u00a0Dr\u00f4le de titre pour un&nbsp;dr\u00f4le de spectacle. Tragique et comique, entre stand up, le\u00e7on de philosophie et&nbsp;d\u2019histoire, tr\u00e9sor d&rsquo;\u00e9criture litt\u00e9raire et blagues. (&#8230;) le cocktail est terrible et \u00e9blouissant.&nbsp;(&#8230;) tr\u00e8s rare spectacle (&#8230;).\u00a0\u00bb<br><a href=\"https:\/\/drive.google.com\/drive\/folders\/1PUJ0y54QDGQNP1uu2lnFgsXbgXINenmJ?usp=drive_link\" data-type=\"link\" data-id=\"https:\/\/drive.google.com\/drive\/folders\/1PUJ0y54QDGQNP1uu2lnFgsXbgXINenmJ?usp=drive_link\">T\u00e9l\u00e9rama TTT &#8211; Fabienne Pascaud &#8211; 27 novembre 2024<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>\u00ab\u00a0\u00c9ric Feldman livre une cr\u00e9ation passionnante. Un spectacle dont la forme aussi modeste que cisel\u00e9e soutient subtilement un propos aux multiples et articul\u00e9es ramifications.\u00a0\u00bb<\/p>\n\n\n\n<p><a href=\"https:\/\/sceneweb.fr\/eric-feldman-dans-on-ne-jouait-pas-a-la-petanque-dans-le-ghetto-de-varsovie\/\">Sceneweb &#8211; Caroline Chatelet &#8211; 14 novembre 2024 &#8211; article complet ici<\/a><\/p>\n\n\n\n<p>\u00ab\u00a0Dans ce seul en sc\u00e8ne profond\u00e9ment touchant, en partage avec des \u00eatres humains venus pour l\u2019\u00e9couter, \u00c9ric Feldman \u00e9voque les effets traumatiques de la Shoah sur la g\u00e9n\u00e9ration des rescap\u00e9s et sur les suivantes. Comme l\u2019indique d\u2019embl\u00e9e le titre de la pi\u00e8ce, il choisit pour ce faire une forme d\u2019humour d\u00e9cal\u00e9, puissamment r\u00e9v\u00e9lateur, \u00e9videmment sombre, dans le sillage de Romain Gary.\u00a0\u00bb<\/p>\n\n\n\n<p><a href=\"https:\/\/www.journal-laterrasse.fr\/eric-feldman-a-ecrit-et-interprete-on-ne-jouait-pas-a-la-petanque-dans-le-ghetto-de-varsovie-bouleversant-recit-de-soi-autour-du-traumatisme-de-la-shoah\/\" target=\"_blank\" rel=\"noreferrer noopener\">La Terrasse &#8211; Agn\u00e8s Santi &#8211; 14 novembre 2024 &#8211; article complet ici<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<p><a href=\"https:\/\/drive.google.com\/file\/d\/1wNNgNUzhQSA1WpG3u4eKpTBtbH3XoPGX\/view?usp=drive_link\" data-type=\"link\" data-id=\"https:\/\/drive.google.com\/file\/d\/1bcDhjm8wDBZAa0OJifK8Mn1QEhzupCmK\/view?usp=sharing\">DOSSIER DE DIFFUSION<\/a>&nbsp;\u2013&nbsp;<a href=\"https:\/\/drive.google.com\/drive\/folders\/1PUJ0y54QDGQNP1uu2lnFgsXbgXINenmJ?usp=drive_link\">REVUE DE PRESSE<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"On ne jouait pas \u00e0 la p\u00e9tanque dans le ghetto de Varsovie - Eric Feldman\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/B9pqcDsRveg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Planning de cr\u00e9ation<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"># Novembre 2022 \u00e0 mars 2023 : Phase d\u2019\u00e9criture (\u00e0 partir d\u2019improvisations).<br># Mars et mai 2023 : Deux r\u00e9sidences d\u2019une semaine \u00e0 Th\u00e9\u00e2tre Ouvert (Paris) \u00e0 l\u2019issue desquelles une lecture a \u00e9t\u00e9 propos\u00e9e \u00e0 quelques professionnels et amis.<br>#  Octobre 2023 : r\u00e9sidence de 2 semaines au Centquatre-Paris suivie de la pr\u00e9sentation d\u2019une maquette pr\u00e9sent\u00e9e le 16 octobre au th\u00e9\u00e2tre du Petit Saint Martin \u00e0 Paris.<br># 20-24 juillet 2024 : r\u00e9sidence jeu et dramaturgie \u00e0 la Maison Jacques Copeau, Pernand-Vergelesses (21)<br># du 20 au 26 octobre, la r\u00e9sidence au Th\u00e9\u00e2tre du Rond-Point<br># du 6 au 9 novembre, la r\u00e9sidence au Th\u00e9\u00e2tre National de Strasbourg<\/p>\n\n\n\n<p class=\"has-small-font-size\">Puis tourn\u00e9e\u2026<\/p>\n\n\n\n<div class=\"wp-block-group is-layout-grid wp-container-core-group-is-layout-478b6e6b wp-block-group-is-layout-grid\">\n<figure class=\"wp-block-image size-full wp-container-content-69bc4bdf wp-duotone-unset-1\"><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"http:\/\/miammiamlacie.com\/wp-content\/uploads\/2024\/11\/npav5zgv.png\" alt=\"\" class=\"wp-image-403\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-container-content-69bc4bdf wp-duotone-unset-2\"><img loading=\"lazy\" decoding=\"async\" width=\"648\" height=\"486\" src=\"http:\/\/miammiamlacie.com\/wp-content\/uploads\/2024\/11\/1200x680_logo_bfc-edited.jpg\" alt=\"\" class=\"wp-image-405\" srcset=\"https:\/\/miammiamlacie.com\/wp-content\/uploads\/2024\/11\/1200x680_logo_bfc-edited.jpg 648w, https:\/\/miammiamlacie.com\/wp-content\/uploads\/2024\/11\/1200x680_logo_bfc-edited-300x225.jpg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full wp-container-content-69bc4bdf wp-duotone-unset-3\"><img loading=\"lazy\" decoding=\"async\" width=\"612\" height=\"305\" src=\"http:\/\/miammiamlacie.com\/wp-content\/uploads\/2024\/11\/logo-SACD.png\" alt=\"\" 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https:\/\/miammiamlacie.com\/wp-content\/uploads\/2024\/11\/copie_privee_noire-1-1.jpg 1612w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Texte et interpr\u00e9tation\u00a0Eric FeldmanMise en sc\u00e8ne et collaboration \u00e0 la dramaturgie\u00a0Olivier VeillonSoutien amical \u00e0 la dramaturgie et \u00e0 la mise en sc\u00e8ne\u00a0Jo\u00ebl PommeratCr\u00e9ation lumi\u00e8re et espace sc\u00e9nique Sallahdyn Khatircr\u00e9ation sonore\u00a0Louise Prieurr\u00e9gie g\u00e9n\u00e9rale Louise Prieur, Marie Mousslouhoudninne ou Emile WacquiezProduction et diffusion\u00a0Le BEC \u2013 Bureau des \u00e9criturescontemporaines (Claire Nollez et Romain Courault )Administration\u00a0Antoine LenobleRelation presse\u00a0Olivier Saksik [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":371,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"class_list":["post-179","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/miammiamlacie.com\/index.php\/wp-json\/wp\/v2\/pages\/179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/miammiamlacie.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/miammiamlacie.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/miammiamlacie.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/miammiamlacie.com\/index.php\/wp-json\/wp\/v2\/comments?post=179"}],"version-history":[{"count":40,"href":"https:\/\/miammiamlacie.com\/index.php\/wp-json\/wp\/v2\/pages\/179\/revisions"}],"predecessor-version":[{"id":611,"href":"https:\/\/miammiamlacie.com\/index.php\/wp-json\/wp\/v2\/pages\/179\/revisions\/611"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/miammiamlacie.com\/index.php\/wp-json\/wp\/v2\/media\/371"}],"wp:attachment":[{"href":"https:\/\/miammiamlacie.com\/index.php\/wp-json\/wp\/v2\/media?parent=179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}